At the beginning of this semester, I was extremely excited over the prospect of writing a novel. Not a novel that I wanted to write—everyone is always going to write a fucking novel—but instead a novel that I had to write as my undergrad thesis. One of the main reasons I went back to school was that it forced me to be creative when the allure of my couch and sizable television are often too enticing to pass up. What I failed to consider was that my final short-story workshop was also this semester, and that my late nights at a keyboard would be spent trying to cough up two more shorts. The two pieces, “Modern Romantic Fiction” and “How a Resurrection Really Feels” wound up being helpful in progressing this shit I do. One is an existential sex nightmare and the other is “fiction” in the sense that I changed some names, but otherwise it’s about my father’s funeral. The former was the first time I completely abandoned entertainment fiction for lit fiction, and the latter was Kraftwerk and a far cry from the droning, tangential creative non-fiction I started with in my first CW course.
So, the last of my mandatory short stories out of the way before I finish my BA, I now actually get to (have to) start the novel I threatened a few months back. I’ve cycled through a few concepts, but I haven’t yet landed on anything specific. At least two of them were science fiction and would have been a fucking disaster. I have narrowed it down to either a longer existential sex nightmare, a coming of age number, or a coming-to-terms-with-the-death-of-an-ambition story. These things are sort of in my wheelhouse. However, rather than try to force a plot, I’m starting with a list of rules. What I have so far are as follows:
Rule 1: Hybridize
I’m harboring no delusions that my silly undergrad thesis is going to get published. However my hope is to make something that falls between the bad books that sell and the good books that don’t. Up until this semester I wrote fairly smart-ish, big-hearted stories which were ultimately entertainment fiction. This semester I got my snob on and started clawing at the lofty, seemingly unattainable goal of literary fiction. With the entertainment fiction, I felt proud. With the lit fic, I felt smart. With this I’m shooting for a little of both, even though I’m sure the end result will be amateurish and something I laugh about in three years.
Rule 2: No Folksy Americana Bullshit
I love “Communist” by Richard Ford. Love it. I also have a phone with Star Trek technology on it. So while I did grow up in a rural midwestern town, I want to avoid anything with a decidedly rural, George Eliot feel to it where I use people’s simplicity to paint something larger on top. I’m not saying that doing this is somehow disingenuous. I just don’t like it.
Rule 3: Someone’s Gonna Die
If there’s been an ongoing theme in my small body of work, it’s death. Ruminations on possibly dying in a crisis. A suicide pact. Coping with death. …A better one about coping with death. “Exile on Riverton Avenue” had two dead parents and if it was a better story that would be been built in more. I’m fascinated by death, but not in a morbid or theological way. Specifically I’m fascinated by the ways a person can continue to affect the living after they’re out of moves on the ol’ chess board. I’ve never killed a protagonist, or killed someone for the sake of sentimental bullshit, but it’s a subject I like exploring.
Rule 4: I Will Write at Least One Sex Scene
This is sort of a joke with one of my closer writing friends. I’ve had a ton of implied sex scenes. Post-sex scenes. Failed-sex scenes. I’ve even had a story that was almost entirely ABOUT sex, but I’ve never actually choreographed the tremendously awkward and weird-smelling act of physical love. (This isn’t entire true, I have a few, but they’ve never made it into a finished product.) This time it has to happen.
That’s all I’ve got so far. That an a character name. I just don’t update this blog enough, so I figured I’d put it to work as a notepad. Cheers.



















